Double M/S

Colette

CCM

Shotgun microphones

Schoeps Digital

Special Microphones

Stereo

Surround

Surround Setups Double M/S IRT Cross KFM Surround OCT Surround ORTF Surround

Accessories Preamplifiers

”Double M/S” is an improved version of the well-known
M/S stereo recording technique. In addition to a frontfacing
cardioid or supercardioid ”mid” microphone
and a figure-8 ”side” microphone, a rear-facing directional
microphone is set up.
The front- and rear-facing microphones share the signal
of the figure-8 microphone so as to form two complete, back-to-back M/S systems. One M/S system then provides the three front channels (the center channel signal being provided directly by the mid microphone of the front system), while the other system provides the two surround channels. An arrangement of this kind allows flexible processing of the
stereo surround image width and post-production adjustment for both of the M/S pairs.

	Adapter Cable AK DMS 3U XLR-7F jack to 3 × XLR-3M plugs
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	Elastic suspension for Double M/S A DMS LU corresponds to the WSR DMS LU without windscreen
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	Double M/S Set CMIT Double M/S Set requires only three microphones and channels for 5.0 surround very small, lightweight array easily protectable against wind influences dematrixing can be performed during or after recording
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	Splitterbox for Double-MS DMS-Splitter adapts an XLR-7 cable to two M/S matrices and a center socket
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	Set for Three-Channel M/S Recordings Double M/S Set for plug-in very small, lightweight array requires only three microphones and recording channels for 5.0 surround
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	Double M/S Set Double MS Set 'MDMS' requires only three microphones and channels for 5.0 surround very small, lightweight array can be well protected against wind (with “fur” Windjammer) matrixing can be performed during or after recording
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	Double M/S Set Double MS Set 'Splitter' requires only three microphones and channels for 5.0 surround very small, lightweight array can be well protected against wind (with “fur” Windjammer) matrixing can be performed during or after recording
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	Surround Plug-in for RTAS Mac, VST Windows/Mac Double MS Tool decodes the three Double M/S signals to a 5.0 mix available for free requires a multi-channel software host
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	XLR-7 Multicore Cable K DMS 5 U XLR-7 multicore cable for three balanced signals
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	Passive matrix for Double M/S MDMS U the simplest way to decode five channels from three microphone signals powers the three microphones correctly when connected to five microphone inputs
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	Windjammer WJ DMS CMIT for WSR DMS CMIT LU (double M/S with the CMIT 5 U)
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	Basket-Type Windscreen WSR DMS CMIT LU for double M/S with the CMIT 5 U requires only three microphones and channels for 5.0 surround
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	Basket windscreen for Double M/S WSR DMS LU basket-type windscreen with elastic suspension for double M/S
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Find out more about surround recording in our surround brochure, which you can download here:Schoeps Surround Brochure